Civil Services Prepby Garima Malik & Nitin Sangwan Account

UPSC Prelims · General Studies

Ancient, medieval & culture

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Indian art and culture / Sculpture

Gupta and medieval stone sculpture

Practise 3 PYQs

Concepts to cover

  1. Sarnath school Buddha (Dharmachakrapravartana), Sultanganj bronze, Deogarh Sheshashayi Vishnu; Gupta as classical idiom
  2. Udayagiri caves near Vidisha (Bhilsa, Madhya Pradesh): Varaha rescuing Bhudevi (Gupta, c. 400 CE), not Mount Abu
  3. Arjuna's Penance or Descent of the Ganga on boulders at Mamallapuram; rathas; Mahishasuramardini mandapa
  4. Elephanta Maheshamurti (Trimurti), Ellora Kailasa Ravana shaking Kailasa, Ajanta cave 26 Mahaparinirvana
  5. Tribhanga (three bends) posture; Khajuraho and Konark figures; Chalukya, Hoysala and Pala styles
  6. Relative dating used by the exam: Dhauli elephant (Maurya) before Udayagiri Varaha (Gupta) before Mamallapuram (Pallava) before Lingaraja (Somavamshi)
Where to study

An Introduction to Indian Art Part I, Class XI, ch. 4 Post-Mauryan Trends in Indian Art and Architecture

  • ch. 4 Post-Mauryan Trends in Indian Art and Architecture, pp. 1-34 (printed 27-60)
  • ch. 4 Post-Mauryan Trends in Indian Art and Architecture, Seated Buddha, Sarnath (Gupta period), pp. 26-27 (printed 52-53)
  • ch. 4 Post-Mauryan Trends in Indian Art and Architecture, Elephanta Caves and Other Sites; Maheshmurti, Elephanta, pp. 16-17 (printed 42-43)
  • ch. 4 Post-Mauryan Trends in Indian Art and Architecture, Maheshmurti, Elephanta, pp. 32-33 (printed 58-59)

An Introduction to Indian Art Part I, Class XI, ch. 6 Temple Architecture and Sculpture

  • ch. 6 Temple Architecture and Sculpture, pp. 2-35 (printed 69-102)
  • ch. 6 Temple Architecture and Sculpture, Early Temples; Central India (Deogarh Dashavatara panels), pp. 5-7 (printed 72-74)
  • ch. 6 Temple Architecture and Sculpture, Early Temples; Central India (the Gupta cave shrines of Udaigiri near Vidisha), pp. 2-6 (printed 69-73)
  • ch. 6 Temple Architecture and Sculpture, Mahabalipuram (Arjuna's Penance or Descent of the Ganga, Mahishasuramardini), pp. 29-30 (printed 96-97)
  • ch. 6 Temple Architecture and Sculpture, Ravana Shaking Mount Kailasha, pp. 31-32 (printed 98-99)
  • ch. 6 Temple Architecture and Sculpture, Sculpture, Iconography and Ornamentation; Central India; East India (Khajuraho and Konark figures), pp. 3-13 (printed 70-80)
  • ch. 6 Temple Architecture and Sculpture, Architecture in the Deccan (Hoysala sculpture); Nataraja, Halebid, pp. 21-23 (printed 88-90)
  • ch. 6 Temple Architecture and Sculpture, Early Temples; Central India (Udaigiri near Vidisha, Gupta), pp. 2-6 (printed 69-73)
  • ch. 6 Temple Architecture and Sculpture, The Dravida or South Indian Temple Style (Mahabalipuram, Pallava); East India (Lingaraja, Odisha), pp. 12-18 (printed 79-85)

Indian Art and Culture · Nitin Singhania

  • ch. 3

Our Pasts I, Class VI, ch. 11 Buildings, Paintings and Books

  • ch. 11 Buildings, Paintings and Books, pp. 1-13 (printed 114-126)

Tamil Nadu State Board Class XI History, Volume I

  • Lesson 7 The Guptas, Stupas; Sculpture: Stone Sculpture, pp. 119-120 (printed 115-116)
  • Lesson 9 Cultural Development in South India, 9.5 Mamallapuram, pp. 156-157 (printed 152-153)

UNESCO World Heritage Convention: India, properties inscribed on the World Heritage List (with inscription years) and Tentative List

  • Cultural properties: Elephanta Caves (1987)

An Introduction to Indian Art Part I, Class XI, ch. 3 Arts of the Mauryan Period

  • ch. 3 Arts of the Mauryan Period, Pillars, Sculptures and Rock-cut Architecture (Dhauli elephant, Mauryan), pp. 2-3 (printed 20-21)
Related past questions