Civil Services Prepby Garima Malik & Nitin Sangwan Account

UPSC Prelims · General Studies

Ancient, medieval & culture

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History of India: ancient and medieval / Post-Mauryan India and the Sangam age

Satavahanas, Ikshvakus and Kalinga

Practise 1 PYQ

Concepts to cover

  1. Simuka, Satakarni I (Naneghat), Gautamiputra Satakarni (Nashik prashasti), Vasishthiputra Pulumavi, Yajna Sri
  2. First land grants to brahmanas and Buddhist monks, metronymics, lead and potin coins, Paithan and Amaravati
  3. Dhanyakataka (Amaravati) in Andhra as the Mahasanghika centre; Ikshvakus at Nagarjunakonda
  4. Chedi king Kharavela of Kalinga and the Hathigumpha inscription at Udayagiri (Jain patron)
Where to study

India’s Ancient Past · R. S. Sharma

  • ch. 21

Tamil Nadu State Board Class XI History, Volume I

  • Lesson 6 Polity and Society in Post-Mauryan Period, pp. 95-109 (printed 91-105)
  • Lesson 5 Evolution of Society in South India, 5.2 South India under the Satavahanas, pp. 84-85 (printed 80-81)
  • Lesson 6 Polity and Society in Post-Mauryan Period, Conclusion (Amaravati), p. 104 (printed 100)
  • Lesson 6 Polity and Society in Post-Mauryan Period, The Beginnings (Kharavela of Kalinga), p. 97 (printed 93)

Themes in Indian History Part I, Class XII, Theme 2 Kings, Farmers and Towns: Early States and Economies

  • Theme 2 Kings, Farmers and Towns, pp. 1-25 (printed 28-52)
  • Theme 2 Kings, Farmers and Towns, 3. An Early Empire; 4. New Notions of Kingship (Satavahanas), p. 8 (printed 35)
  • Theme 2 Kings, Farmers and Towns, 6. Towns and Trade (Satavahana coins); metronymics, p. 16 (printed 43)

Themes in Indian History Part I, Class XII, Theme 3 Kinship, Caste and Class: Early Societies

  • Theme 3 Kinship, Caste and Class, Names of Satavahana kings from inscriptions, p. 7 (printed 59)

Themes in Indian History Part I, Class XII, Theme 4 Thinkers, Beliefs and Buildings: Cultural Developments

  • Theme 4 Thinkers, Beliefs and Buildings, 8. Discovering Stupas: The Fate of Amaravati and Sanchi, p. 17 (printed 98)

Indian Art and Culture · Nitin Singhania

  • ch. 4
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